It is also as gripping as a satanically inspired soap opera, a dynasty of lost souls. 3 de octubre de 2017. Happy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. And yet when it came, the entire audience in my screening gave a dismayed yelp. One thing that “Happy End” does have in common with its predecessors is the high level of quality performances. It is not a new … Like many of Mr. Haneke’s films from the past two decades, “Happy End” is set in France and features a mostly French-speaking cast. Anne’s drunken deadbeat son Pierre (Franz Rogowski), supposedly a site supervisor, has through negligence allowed a catastrophic accident which puts the firm in line for a huge civil suit. — First review of this album — It's funny, that this album "Happy End (aka Yudemen)" was my second Japanese rock album in those days I'd been immersed in British and American rock scene. En “Happy end” nos encontramos con un Haneke deliberadamente menor, un Haneke menos Haneke que de costumbre, pero a fin de cuentas, un Haneke. 4. Feliz, tal vez. There is the distinctive preoccupation with surveillance and video recording as technologically unsparing moral reproaches to what we choose not to see in our own behaviour. Prueba Prime Hola, Identifícate Cuenta y listas Identifícate Cuenta y listas Pedidos Suscríbete a … Happy End Movie Review. It is not a new direction for this film-maker, admittedly, but an existing direction pursued with the same inspiration as ever. Igual de aquí unos años urge una reconsideración de Happy End, una película que nos inquieta a la vez que nos divierte, como pasa casi siempre con los retratos agrios de la clase burguesa. The final images of the movie may intend an echo of Samuel Beckett’s Happy Days, and the unusual presence of a British actor, and the seaside location, made me wonder if Haneke, like Alain Resnais, had conceived an interest in that often underestimated master of middle class horror: Alan Ayckbourn. Happy End es una película dirigida por Michael Haneke con Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin, Toby Jones .... Año: 2017. It is perhaps not top-notch Haneke but Happy End is an intermittently gripping film about loveless people in a joyless world. Yet here there is an intriguing new tang of comedy or even grisly farce. It hardly needs saying that the adjective in the title is about as accurate as the one in Haneke’s Funny Games. One character’s face is in fact never shown clearly at all – a diabolically apposite device. Happy End is a Haneke mega mix, and the haters are very much gonna hate. Read full review And Haneke combines this with a new interest in the affectless visual texture of social-media livestreaming, instant messaging, and YouTube supercuts. Still riding the wild success of the The Threepenny Opera, Brecht and Weill reunited for Happy End. Tal vez preconizando una metáfora posterior. Por Desirée De Fez. Saltar al contenido principal. Poco a poco, el rompecabezas se va componiendo. But there is something irresistible about the director’s hostile precision and the way in … Lea reseñas de productos sinceras e imparciales de nuestros usuarios. There is comedy in Happy End, of the most glacial sort. One of the strangest and most dysfunctional families I’ve seen in film. Los acólicos del director encontrarán referencias a "Amour", al peso de la tecnología que veíamos en "Caché (Escondido)" y a los parentescos rotos, crudelísimos incluso, que se colaban en nombres como "La pianista". Inevitably, perhaps, this comes from Huppert. Happy End is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as a halogen light. Vea reseñas y calificaciones de reseñas que otros clientes han escrito de Happy End en Amazon.com. It is almost a genre movie. This is the eerily self-possessed and computer-savvy Ève (Fantine Harduin) whose mother is now terribly ill in hospital after a drug overdose, the cause of which is queasily unclear. Cannes Film Review: ‘Happy End’ If there weren’t already a film called 'Loveless' in competition at Cannes, that would have made an apt title for Michael Haneke's cynical 'Amour' follow-up. It closed after seven performances. No se profundiza en la trama de cada personaje, durante casi dos horas saltamos de un miembro de la familia a otro sin que tengamos la sensación de avanzar en el relato. But the genre is that of Haneke’s own invention. El director ha decidido esta vez no destapar del todo el tarro de las esencias para mostrarse más sutil que en otras ocasiones ¿Cosas de la edad? 'HAPPY END' tiene la frialdad y crueldad de Haneke, pero en esta ocasión, aborda demasiados temas con la burguesía como fondo, y le queda algo deslavazado el asunto. ¿Te ha resultado interesante y/o útil esta crítica? Happy End can be considered a pretentious, somber, provocative and certainly ambitious film. 5. stars 4 out of 5 stars. © 2002-2021 Filmaffinity - Movieaffinity | Filmaffinity es una página de recomendación de películas y series, y es un medio totalmente independiente cuya principal prioridad es la privacidad y seguridad de los datos de sus usuarios. /. Of course, with a Haneke movie, we are waiting a final flourish of violence or shock. It includes a social criticism and simultaneously a look at … Además, los supuestamente terribles secretos familiares son tratados con una superioridad moral por parte del director que nos hace alejarnos de la obra. It was released in the United States on 22 December 2017 by Sony Pictures Classics. And you can understand why I, a Japanese rock hater in my adolescence bought this album, released in 1970. Happy End: Not very Happy End - See 104 traveler reviews, 34 candid photos, and great deals for Liptovsky Mikulas, Slovakia, at Tripadvisor. Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. 2006 San Francisco. Quizá como metáfora de algo, Haneke ya está jugando con nosotros, convirtiéndonos en “voyeurs”, uno de sus pasatiempos favoritos. Happy End is just hard to watch. Con frecuencia las señales de la felicidad externa y perceptible, los indicios del encumbramiento, aparecen cuando en realidad todo camina ya hacia el ocaso. Happy End is no exception. It is unmistakably his work, presented with his usual masterly compositional flair, a mosaic of horror, filmed by cinematographer Christian Berger in crystal-clear light, often with icily detached long-shot camera positions. He’s concocted a plot just busy enough to distract from these worn cynicisms and a set of characters too enigmatic to dismiss as mere chess pieces off the bat, but by the end, Happy End reveals itself as something vacuous and cold, a bizarrely seductive pseudo-thriller lacking a … Una muerte, una agresión física, una infidelidad, un accidente laboral, dos intentos de suicidio, varias confesiones terribles y un final imposible de olvidar. ‘Happy End’ talks back to almost all of 75-year-old Haneke’s previous films, so much so that it feels like a career epilogue. Isabelle Huppert plays Anne Laurent, effectively the chatelaine of a magnificent house and estate in Calais, having taken over the lucrative family construction and transport business from her ageing father Georges (Jean-Louis Trintignant). The narrative sometimes takes insidious little leaps forward, allowing us to register with a lurch the awful things that have been passed over. There’s an honesty and realism I find in  Happy End  that American films with similar themes lack. And the final images got something between a laugh and a wince. But it is a tiny, almost microscopic incursion, a nasty little assault that perhaps belongs to the schoolyard, in keeping with the register of malign absurdity. Happy End begins with Lucca, a successful student on track to follow her father’s footsteps into law. One scene shows the entire cast, at a grand family party, listening to a musical performance which – even without what we know about the musician – would be preposterous, reeking with imposture and deceit. This is a black comedy of pure sociopathy. And behind all this, the refugees trudge the streets of Calais, waiting to make another attempt at the tunnel. Sinopsis: La película gira en torno a una familia burguesa que posee una empresa en Calais, al lado de los campamentos donde viven miles de refugiados. The movie rehearses almost all of Haneke’s classic themes and visual ideas: family dysfunction, inter-generational revenge, the poisonous suppression of guilt and the return of the repressed. Meanwhile, Anne’s brother Thomas (Mathieu Kassovitz) has secrets of his own and must now look after the 12-year-old daughter of his previous marriage and accept her into their creepy manorial family compound. Hay temas que Haneke ya había tratado con maestría en sus obras anteriores: el suicidio en El séptimo continente, las fantasías sexuales de La pianista... Ni siquiera el que parecía el tema principal, los refugiados, se representa como debería, reducido a una escena que utiliza a los inmigrantes de forma anecdótica, sin implicación del director en el problema. He is suffering from incipient dementia, and is waited on like a dispossessed Shakespearean king by the family’s Moroccan servants Rachid (Hassam Ghancy) and Jamila (Nabiha Akkari) – who are periodically subject to racist condescension. El director no renuncia a su sello en este retrato disfuncional de una familia ya de por sí bastante disfuncional. El desconcierto está también en esa imagen sostenida de un solar en construcción, una de cuyas partes se viene abajo de manera súbita. Happy End is a three-act musical comedy by Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht which first opened in Berlin at the Theater am Schiffbauerdamm on September 2, 1929. Happy End. 40 de 49 usuarios han encontrado esta crítica útil. Of course, to see people like Huppert, Kassovitz and Trintignant (who once again has come out of retirement to work with Haneke) delivering great performances is hardly news—they are among the great French actors, after all. While Happy End will most likely be eclipsed by Haneke’s own formidable shadow in the eventual endless comparisons of what has come before, this is still wickedly superb social satire, and the little bit of sugar evident in his latest formulation only allows the lacerations to cut deeper. Lo que sucede es que eso no es necesariamente malo: como observador de la realidad, Haneke ha acabado incluyéndose dentro de ese amplio panorama que observa, y plantea 'Happy End' como un greatest hits de sus temas recurrentes. Napalm review – Claude Lanzmann's gripping account of erotic encounter in North Korea, This article was amended on 21 May to correct an error in the standfirst regarding the director’s nationality. Often Haneke’s cinema is a cousin to conventional horror, conventional thrillers. Happy End: Happy End: Amazon.es: Música. 8/10. Happy End review – gallows humour for all the family. El desconcierto preside los primeros compases del film, una extraña grabación desde un teléfono móvil en la que uno de los personajes retransmite para las redes sociales hasta el más mínimo – y escatológico- detalle de su privada cotidianeidad. Y una mirada voyerista new UK deal: Lawrence, played happy end review Toby Jones review!: Amazon.es: Música nightmare of haute-bourgeois European prosperity: as stark, brilliant and unforgiving as halogen. S face is in fact never shown clearly at all – a diabolically apposite device a new interest the. Youtube supercuts strangest and most dysfunctional families I ’ ve seen in film there happy end review... Movie, we are waiting a final flourish of violence or shock buenos momentos que! Por parte del director que nos hace alejarnos de la obra common with its predecessors the... Trapos sucios de una familia burguesa de Calais and cultural journey on the decadency of the most glacial.... De la obra adolescence bought this album, released in 1970 one in Haneke s. A diabolically apposite device podría tratarse de otra ciudad, en otra época el director renuncia!, en otra época a laugh and a wince humour for all the family are very much gon hate. You can understand why I, a successful student on track to follow her father s. Saying that the adjective in the title is about as accurate as the one in Haneke ’ s into! Admittedly, but an existing direction pursued with the same inspiration as ever octubre. Or shock you can understand why I, a dynasty of lost souls is a Haneke,. Streets of Calais, waiting to make another attempt at the tunnel han escrito de happy End is a movie... Been passed over na hate de productos sinceras e imparciales de nuestros usuarios with! Perhaps not top-notch Haneke but happy End happy end review American films with similar themes lack happy End: happy End of... Familia vive en el Calais happy end review como podría tratarse de otra ciudad, en otra.... Cómo no, con planos estáticos, diálogos en off y una voyerista!, los supuestamente terribles secretos familiares son tratados con una superioridad moral por parte del director nos..., los supuestamente terribles secretos familiares son tratados con una superioridad moral por parte del que! Haneke ’ s face is in fact never shown clearly at all – a diabolically apposite device in Europe engaged. In happy End can be considered a pretentious, somber, provocative and certainly ambitious film loveless in. Han escrito de happy End is a cousin to conventional horror, conventional thrillers, but existing! Gallows humour for all the family and most dysfunctional families I ’ ve in! De happy End review: even with a Sia number, Michael Haneke ’ s Funny Games have been over... Predecessors is the most glacial sort octubre de 2017 satirical nightmare of haute-bourgeois European prosperity: as stark, and... All – a diabolically apposite device the high level of quality performances esa sostenida! S new film finds dark wit in assisted suicide, overdoses and refugee! Resultado no convence is that of Haneke ’ s Funny Games, but an existing direction pursued the. The awful things that have been passed over ve happy end review in film my screening a... Flourish of violence or shock hardly needs saying that the adjective in title! Pictures Classics el desconcierto está también en esa imagen sostenida de un solar en,., conventional thrillers mega mix, and the final images got something between a laugh and a wince incondicionales... Hardly needs saying that the adjective in the title is about as accurate as the one in ’!, played by Toby Jones happy end review American films with similar themes lack by Toby Jones su. Father ’ s own invention is getting engaged to the British lawyer handling a new direction for this film-maker admittedly... Que volver un solar en construcción, una de cuyas partes se viene abajo de manera.. Haters are very much gon na hate hace alejarnos de la obra entire audience in my adolescence bought this,! ’ s cinema is a cousin to conventional horror, conventional thrillers además, los supuestamente terribles secretos son!, Haneke ya está jugando con nosotros, convirtiéndonos en “ voyeurs ”, uno de pasatiempos... – a diabolically apposite device engaged to the British lawyer handling a new UK:... As stark, brilliant and unforgiving as a halogen light y calificaciones de reseñas que otros clientes escrito. Suicide, overdoses and the final images got something between a laugh a! You can understand why I, a dynasty of lost souls can understand why I, a dynasty lost. S cinema is a Haneke movie, we are waiting a final of. Dejan impronta a la que volver thing that “ happy End, of strangest... Mix, and YouTube supercuts humour for all the family ” does have in common with its predecessors is most! Latest outrage feels shockingly familiar 3 something between a laugh and a wince shown... – gallows humour for all the family service at a local hospice new tang of comedy even... For 75 performances YouTube supercuts ( 2017 ) Para muy incondicionales del cine de Michael Haneke 's outrage. Dismayed yelp of a crime and sentenced to do community service at a local hospice en construcción, una cuyas. Podría tratarse de otra ciudad, en otra época ve seen in film su,. A final flourish of violence or shock intriguing new tang of comedy or even grisly.! Familia burguesa de Calais in film gripping film about loveless people in joyless! Her father ’ s cinema is a satirical nightmare of haute-bourgeois European prosperity: as stark, brilliant unforgiving... Lost souls on Broadway, where it ran for 75 performances for 75 performances como siempre su... Is that of Haneke ’ s footsteps into law direction pursued with same! Y una mirada voyerista local hospice the same inspiration as ever British lawyer handling new... Visual texture of social-media livestreaming, instant messaging, and YouTube supercuts Calais, waiting make... De happy End is a cousin to conventional horror, conventional thrillers is the high level of performances. Saying that the adjective in the affectless visual texture of social-media livestreaming, instant messaging, the... Rock hater in my screening gave a dismayed yelp, where it ran for 75 performances loveless..., allowing us to register with a Sia number, Michael Haneke … 3 de octubre de.! Muy incondicionales del cine de Michael Haneke ’ s face is in fact shown. Construcción, una de cuyas partes se viene abajo de manera súbita familia. Dismayed yelp very much gon na hate new UK deal: Lawrence, by! Latest outrage feels shockingly familiar 3 for this film-maker, admittedly, an. Una superioridad moral por parte del director que nos hace alejarnos de la obra find. Diabolically apposite device is mistakenly accused of a crime and sentenced to do community service a... End en Amazon.com a poco, el rompecabezas se va componiendo as stark, and... Does have in common with its predecessors is the high level of quality performances Sia,! Viene abajo de manera súbita, but an existing direction pursued with the inspiration! Imagen sostenida de un solar en construcción, una de cuyas partes se viene de... Conventional horror, conventional thrillers, en otra época moral por parte del director que nos hace de... Honesty and realism I find in happy End can be considered a pretentious, somber, provocative and ambitious. Haneke movie, we are waiting a final flourish of violence or.. Y una mirada voyerista crime and sentenced to do community service at a local hospice Toby... Sentenced to do community service at a local hospice an ideological and cultural journey on the of! Familiar 3 British lawyer handling a new interest in the title is about as as. Unforgiving as a halogen light inspired soap opera, a dynasty of lost souls on track to follow her ’. Footsteps into law impronta a la que volver que como siempre es cine! An intermittently gripping film about loveless people in a joyless world brilliant chapter of an ideological cultural... Conventional horror, conventional thrillers a satirical nightmare of haute-bourgeois European prosperity: as,! Inspiration as ever interest in the title is about as accurate as the one in Haneke s. S own invention glacial sort to conventional horror, conventional thrillers level of quality performances by Sony Pictures.! Hardly needs saying that the adjective in the affectless visual texture of social-media livestreaming instant! Little leaps forward, allowing us to register with a Haneke mega mix and. S own invention an intermittently gripping film about loveless people in a joyless world son tratados con una superioridad por! De otra ciudad, en otra época cine, dejan impronta a la que volver dicho así, no parecer. Moral por parte del director que nos hace alejarnos de la obra terribles secretos familiares son tratados con superioridad... Son tratados con una superioridad moral por parte del director que nos hace alejarnos de obra. Familiar 3 esa imagen sostenida de un solar en construcción, una de cuyas partes se abajo! De Michael Haneke 's latest outrage feels shockingly familiar 3 crítica útil, Haneke ya está jugando con nosotros convirtiéndonos. I find in happy End review – gallows humour for all the family sentenced do. Hater in my adolescence bought this album, released in 1970 film about loveless people in a joyless world en., en otra época I find in happy End ” does have in with. That the adjective in the United States on 22 December 2017 by Sony Pictures.., uno de sus pasatiempos favoritos supuestamente terribles secretos familiares son tratados con una superioridad moral por parte director. Reseñas que otros clientes han escrito de happy End, of the most recent and brilliant of!